Posts Tagged ‘kiki and herb’
There is this moment I think about all the time from The Young Ones. The Young Ones was an ensemble comedy TV show from the early 1980s on BBC about 4 horrible college students living together in squalor who hate each other. Vivian, the house “punk” has devised a trick involving a fake finger and a kitchen knife. The other three roomates are hollering amongst themselves, while Vivian is shouting over them, trying to get their attention, wildly brandishing his kitchen knife, screaming “Watch my trick you bastards!”
That’s it. That’s the moment. For some reason, this image resonates with me, sings in me, stops me in my tracks and makes me smile sometimes. I don’t know why. I don’t need to know why.
But if I think I about it, I understand: It echos my need for attention, and my glee in silly grotesqueries, and my delight in being brazen and especially in demanding that you want something from people. Something about those qualities make me love this moment- this dramatized, actualized, manifestation of those themes in my life. I am haunted by the Jon Lewis image above for the same reason, I think.
In fact, when I look at the last 2 1/2 years of my comic output, I now realize this was the governing theme: trying to be heard. No wonder these images speak to me so much.
We all experience images from narratives this way. There are always moments that sticks with us, for reasons we may uncover later.
I asked a couple friends for their “images that sing” and here’s what I heard.
One friend says he always remembers a moment from a 40s-era Dick Tracy comic strip, where The Brow is being squashed by a Spike Machine. The brow is desperately crying: “Oww. Somebody stop the spike machine.” Another friend said that an image from the movie The Shining always haunts her, of the Shelly Duval character dragging a knocked down out Jack Nicholson character down the hall and locking him into a food closet.
The first image is about pain, oppression, helplessness, and a desire for connection. The second, about empowerment after feeling victimized by someone you love.
—————“DON’T ANALYZE!” HOGWASH!—————
I’ve heard that people think it’s dangerous to analyze such connections, and that there’s a magic in not knowing how certain connections work. I don’t buy it. First: emotion will always work faster than analysis. Second: there will always be new things to be moved by. Third: let yourself be moved by the understanding, too.
Look at Kiki and Herb. Kiki and Herb are a faux-torch song duo who perform as if they are on a reunion tour of sorts. Their supposed heyday was decades before and now Kiki; damaged, drunken, spiteful and absolutely, desperately human sits on the piano basically dying, telling old stories and singing cover songs.
They perform a version of the 80’s hit “Total Eclipse of the Heart” which is quite moving, a little funny, and desperate. The final minute or so of the song is monstrously powerful. A crescendo has been building for minutes, Kiki is now riffing on the original’s “turn around bright eyes” motif. Kiki is quoting The Byrds, Joni Mitchell and louder and louder, she ends by screaming, yowling Yeats poetry (with Herb like a lost sailor shouting his background parts into the storm of Kiki’s desperation) “The falcon cannont hear the falconer… Surely the second coming is at hand…”, riffing more, “Turn around…. turn around… don’t turn your back on me… don’t turn your back on Kiki!!! Kiki loves you! Kiki needs you! Kiki would die for you!!!”
All this crazy manic energy has just coalesced, and you realize, the decades old “turn around” of the pop hit has been transmutated. Now its a plea: “Turn around, come back. TURN AROUND, STAND STILL AND BE LOVED BY ME GODDAMIT.”
Kiki -and if anyone is a falcon who can’t hear the falconer, it’s her- is crying for you to believe in her transformation, her second coming. She is turning and turning, and transforming and transforming, watching you walk away, but she won’t have it .TURN AROUND! TURN AROUND! The song ends with her demanding to have her love accepted. DON’T TURN YOUR BACK ON ME! KIKI WOULD DIE FOR YOU!
It took me dozens of listens to this song at full volume to realize all this. It gets more powerful each time I hear it, and the more I decode, the more it moves me to tears…
And of course, this moment too, is about being heard, like most of the moments that are moving me right now.
What are your Images That Sing? What are they about? Pay attention to those, like anything you attend to, it will grow. More will appear, and they will strengthen your own work. DON’T TURN YOUR BACK ON ME!
To all my friends searching for happiness, success in love, career, life, listen to Kiki:
Love is a battlefield.
Be arrogant, rather than self-denigrating. Be furious and be disciplined.
Take solace in music. Find music to sing along to. That’s why songs have choruses. Our struggle is your struggle. Love is a battlefield. Nothing is new. Be lovely and typical. Penetrate it. Go through it. (Katabasis.)
Arrogance will get you farther than self-hatred. The darkness will deepen your work, but fight to be rid of it anyway.
You will never be completely free of the anger and resentment and hurt. But try to wrestle it off, anyway, through art and practice.
Life is a battlefield. Art is a battlefield.
Connect with the struggle and the suffering, and deepen your practice. Art is your practice. Like a martial art, like meditation or chanting, like breathing. Breathing is your battlefield. (Just ask Arjuna.)
Cut yourself open, untangle the knots (-Leonard Cohen). Art presents you to the world, opens you for the world. Art gifts you to the world.
You have to commit to it, for a higher purpose- but that’s what you’re here for.
Kiki and Herb: Kiki is a raw, desperate, hurting, somewhat (or mostly) ugly Child of God. She deserves your love. Do you? Don’t you? Oh less ugly ones?
Don’t turn your back on me.
Don’t turn your back on Kiki.
Kiki Loves You!
Kiki Needs You!
Kiki would die for you!